明器车是墓葬中以模仿实用车为基础再创作形成的符号化象征，其产生与发展受到时人观念文化的影响。在社会建构论视角下，文章以考古资料为基础，从丧葬观念、儒家文化和孝文化三个方面阐释观念文化对东周秦汉明器车的根基性建构，发现其具有一定的再创作性和超越性，不仅仅是实用车的简单“模型”。该研究既对明器车有了新的认识，也为古代人工制品的研究开辟了一条新的路径。

The burial chariot is a symbolic symbol recreated on the basis of imitating the practical car in the tomb， and its production and development were influenced by the conceptual culture of the time. Under the perspective of social constructionism and based on archaeological data，this paper explains the fundamental construction of the conceptual culture on the burial chariot in the Eastern Zhou， Qin and Han dynasties from three aspects： funerary concept， Confucian culture and filial culture， and finds that the burial chariot is not a simple "model" of the practical carriage， but has a certain re?creation and transcendence. This study provides both new insights into the burial chariot and opens a new path for the study of ancient artifacts.